When I envision Tijuana after the San Andreas fault transformation or any other natural disaster in the world, I remember the people who I met at the Tijuana river and their abilities to build ñongos (shelters) recycling anything from the environment and its surroundings. The community of undocumented people who settled at the border area of the canal was surviving the unnatural disaster of an exaggeratedly divided world. The post-apocalyptic Ñongo mixes organic with inorganic materials to reimagine a dystopian future in which Earth offers protection for its inhabitants (who are part of the planet).